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Cubase was one of the original DAWs. Starting on a single 1.4 MB floppy disk in 1990, Cubase has grown to become the only digital audio production program you need to create amazing music.
Cubase is a grownup DAW that offers the musician and producer an awesome array of highly sophisticated tools: From really easy MIDI recording and editing to slick audio editing and Melodyne-like pitch shifting. Cubase does it all and Matthew explains everything perfectly in a very friendly manner... its like having a your very own Cubase expert sitting in the chair next to you!
So whether youre new to Cubase or a long time user, Matthew explores the arcana of this deep DAW revealing optimized workflows, uncovering noteworthy tips and tricks and taking us on a very well thought out, top to bottom exploration of this amazing piece of music production software. Take it from me, Steve H, youre going really dig this tutorial!
Chapter 1: Intro to Cubase, Projects & Tracks
Section 1: Introduction, Installation & Setup
01. Introducing Matthew Loel T. Hepworth
02. Intro to the Course
03. Installation and the Dongle
04. Putting Cubase in the Dock
05. Launching Cubase for the First Time
06. Assigning Your Audio Interface
07. Assigning your MIDI Interface
08. Starting your first Cubase Project Properly
09. Why Use Proper Project Management
10. Project Setup Settings
Section 2: The Project Window
11. Configuring the Project window
12. The 3 Project Window Columns
13. Explanation of the Transport Panel
Section 3: Making Tracks
14. Theory of Tracks
15. The 3 Most Common Track Types
16. Recording Your First Instrument Track
17. Recording Your Second Instrument Track
18. Recording Your First Audio Track
19. Recording Your Second Audio Track
20. MIDI Tracks vs. Instrument Tracks
Chapter 2: Cubase Fundamentals
Section 4: Conventions of Cubase
21. Transport Controls and the Numeric Keypad
22. The Left and Right Locators
23. Undo, Redo, and History
24. Using Control-Click vs Right Click
25. Using the Metronome (CLICK)
26. Setup the Auto Save
27. A Note about Monitoring
28. Using the Help Documents
Section 5: Cubase Rudiments
29. The Cubase Tools
30. Snap ON OFF
31. Zooming IN OUT UP DOWN
32. Autoscroll
Section 6: The Cubase Mixer
33. What is the Cubase Mixer
34. Getting to the Mixer
35. Function Button Snafus
36. The Simple Mixer
37. The Master Fader
38. The Extended Mixer
39. The Mixer and Project Window Relationship
40. Hide Show Track Types
41. Individual Track Parameter Views
Chapter 3: Recording Fundamentals
Section 7: Cubase Recording Operations
42. Achieving a Mouseless Recording Workflow
43. The Event Info Line and Overview
44. Track Control Settings
45. Customizing the Metronome
46. Cycle Recording
47. Dealing with Event Overlaps
48. Project Tempo and Tempo Track
49. Project Time Signature and Signature Track
50. Project Markers and Marker Track
51. Using the Arranger Track
52. Using the P and Shift G Commands
53. Select All vs Select All Events
Section 8: Recording Instrument & MIDI Tracks
54. Recording an Instrument Track
55. Cycle Recording
56. Overlapping MIDI Events
57. Over Quantize
58. Copying MIDI Events, Option Drag & Repeats
59. Transposing Events
60. Changing Event Colors
Section 9: Recording Audio Tracks
61. Turn Off Your Speakers and Use Headphones
62. Start Recording on Measure 2 Not Measure 1
63. Recording Audio
64. Cycle Recording with Audio
65. Overlapping Audio Events
66. Stacked 2 Record Mode
67. Using Alternating Tracks
68. Punch IN Punch OUT recording
Chapter 4: Editing Recordings and Projects
Section 10: Editing Instrument and MIDI Tracks
69. The Key Editor
70. The Controller Lane
71. The Drum Editor
72. The Score Editor Briefly
73. Using the In-Place Editor
74. Using the Dissolve Part Command
75. Creating MIDI Notes without a MIDI Keyboard
76. The Undo Quantize Command
77. Using Iterative Quantize
78. Using Part to Groove
79. Freezing Instrument Tracks
Section 11: Editing Audio Tracks
80. The Concept of Non-Destructive Editing
81. When and How to Use Crossfades
82. Slide Editing
83. Using the Fade Handles
84. Dont Use Normalize
85. Vari-Audio Editing
86. Extracting MIDI from Audio Tracks
87. Vari-Audio on a Stacked Track
Section 12: Editing Projects
88. Editing the Tempo Track
89. Editing the Signature Track
90. Editing the Arranger Track
91. Making and Using Folder Tracks
92. Setting up Multi-Track Multi-Input Projects
93. Importing Audio CDs
94. Creating Your own Key Commands
95. Using the Event Zoom Controller
Section 13: The Pool
96. The Concept of The Pool
97. Using Insert into Project
98. Find Resolve Missing Audio Files
99. Minimizing Files
100. Emptying the Trash
101. Prepare Archive vs. Backup Project Command
Chapter 5: Effect, Automation and Mixdown
Section 14: Channel Settings, EQ and Effects
102. Buffer Setting Considerations
103. The Channel Settings Window and Signal Flow
104. Applying Insert FX
105. Reordering and Copying Insert FX
106. Applying EQ and EQ Presets
107. Using Track Presets
108. FX Channel Tracks and Send FX
109. Channel Settings in the Object Inspector
110. Copying and Pasting Channel Settings
111. Global Bypass Buttons
112. Freezing Audio Tracks
113. Group Channel Tracks
Section 15: Automation
114. The Concept of Mix Automation
115. READ and WRITE Automation Controls
116. Editing Automation Data
117. The 3 Automation Modes
118. Show Used Automation
119. Drawing Your own Automation Data
120. Master Fader Automation
121. Post Automation Volume Editing
Section 16: Mixdown: The Final Done Here
122. Monitoring the Master Fader Clip Light
123. Adding Mastering Insert FX
124. To Dither or Not to Dither
125. Setting Left and Right Locators for Mixdown
126. Audio Mixdown for High Bit Rate Audio Files
127. Audio Mixdown for Audio CD
128. Audio Mixdown for MP3
129. Batch Export
130. Backup and Goodbye