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Worlds That Weren't
Worlds That Weren't
Date: 12 April 2011, 02:48

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When I first picked up "Worlds That Weren't", I was expecting an alternate-history version of "Legends", the 1998 fantasy anthology in which prominent fantasy authors wrote novellas based in worlds that they were best known for in the fantasy genre. My guess was partly right.
Two of the stories - S.M. Stirling's "Shikari in Galveston" and Mary Gentle's "The Logistics of Carthage" do in fact take place in universes the authors have previously explored. Each about a generation before the main action of the novels (or series), Stirling's story revolves around the father of Athelstane King (the hero of "The Peshawar Lancers") and Mary Gentle's deals with the 'parents' of Ash from "Ash: A Secret History".
The other two, though, seem to be independent works. Harry Turtledove's explores what would've happened had Socrates gone with Alcibiades to Syracuse (in Sicily) and if Alcibiades would not have fled following his summons back to Athens during the Peloponnesian War. Without giving too much away, he reenvisions Alcibiades as a possibly less-successful Alexander the Great a full 80 years before Alexander's time. Walter Jon Williams, on the other hand, takes a look at a Tombstone, Arizona to which Friedrich Nietzche had been medically exiled. He had Nietzche (sort-of) joining the Clantons against the Earps at the famous O.K. Corral shoot-out and creates a much different legacy for the Old West.
All four novels are well done and each author knows his or her territory well (and, more importantly, provides details about the real-world events in their respective afterwords), but some succeed better than others. Turtledove has problems resisting the temptation of having characters dwell on alternate fates (i.e., events as they actually happened). Stirling's Neobritish Empire has all the hallmarks of good action on a broad, fascinating canvas, but ends up reading more like a James Bond story than as alternate history. Even his afterword comes out much that way where he talks about the creative process more than the dynamics of his world (much of which, admittedly, you can get in the appendices of "The Peshawar Lancers"). Gentle's and Williams' works seem to fair better, but I am much less familiar with their work than with Turtledove's and Stirling's.
On the whole, though, all four stories are very well done. The book represents a couple of days worth of diverting, fun reading and it's not always necessary to be familiar with the authors' worlds (or the history involved) to enjoy the stories. Nonetheless, though, for people reading the books for their historical merit, you may wish to read the afterwords before the stories to refresh the given histories. Most of them do not give away the stories turn out (Turtledove's being a partial exception). I would still like to see a "Legends"-line anthology of alternate history stories, but, in the mean time, this will hold me over.

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