Date: 12 April 2011, 13:31
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The Glass of Time has been one of the books I've been anticipating the most this year, and it didn't disappoint. Cox's long-winded, Dickensian style won't be to everyone's taste, but I really like his mode of writing--it sucked me right in from start to finish. His prose is descriptive, and his characters unusual and interesting. In Esperanza, Cox finds a bright, fresh, and new way to tell the story of the Tansor family. Cox's depiction of Victorian England is never contrived, like so many books set in that period and written lately are--another thing I loved about The Glass of Time. Another thing I thought was excellent was that Cox (for the most part) got rid of the fiction that this is a "confession" edited and annotated by someone else for publication, using the convention of using footnotes to explain various passages. The Glass of Time is therefore that much more readable, making it only about 580 pages (the same length its predecessor might have been without footnotes). The reader figures out a long time before Esperanza does what's really going on; but the fun of the book is following Esperanza's journey. "I couldn't put it down" is such a cliched sentence, but in this case... I really and truly couldn't put this book down. My only problem with this book, and maybe this will be fixed before it's published, is that the narrative switches back and forth from past to present tense, sometimes within the same paragraph. I don't know if this is intentional or not, but it's a bit distracting. Although Cox mentions events that took place in The Meaning of Night in this book, it's not entirely necessary to read it beforehand; a newspaper "clipping" about 130 pages in recaps the bare-bones storyline of The Meaning of Night. However, if you haven't already, I would strongly suggest reading that book at some point--aside from its footnote problem, it's just as good as its sequel.
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