Date: 11 April 2011, 21:15
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One sign of a well-crafted character is that the reader comes to care about that character with more than the detachment typical of fiction. Martha Grimes is one of a few talented authors who can create such characters seemingly at will, not only the repeating theme characters such as Richard Jury and Melrose Plant, but those whose appearance is abbreviated to the confines of a single volume. This Grimes does in the person of a young lady named Carrie Fleet. She, and the events surrounding her mysterious origin, constitute the central structure of the Deer Leap. Among other things, Carrie loves animals, and detests a local laboratory that engages in animal testing of consumer products. It is the graphic nature of Grimes' description of this that has put some readers off; however, it should be emphasized that Grimes has not jumped onto a PETA soapbox here. These scenes are tightly and economically written, and are necessary to the plot and especially to its harrowing denouement. Without giving too much away, it is in the resolution of these circumstances that we discover to our surprise that we care about certain characters perhaps more than we thought we did, and it is this resolution that makes The Deer Leap perhaps the most poignant of the Richard Jury series. The reader may curse Grimes for having gotten to him or to her, and that is one sign of a superb performance in authorship. This is a necessary continuation of the Jury series in other ways as well, for example, along the way we get to discover why Melrose Plant now carries a cosh instead of the more stylish sword-cane he used to carry. And that is really all this reviewer can squeeze in without giving away the surprises. Once a reader has finished The Deer Leap he or she will not be able to read any of the Richard Jury series quite the same way again.
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