Date: 14 April 2011, 06:41
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The problem I've had in the past with such "horror" writers as Dean Koontz and John Saul was the fact that their protagonists were just too one dimensional. There was no emotional attachment and, thus, no tension to the book. Stephen King, on the other hand, fleshes out his characters so well that the reader feels like they know them intimately. This, in turn, gives the reader an emotional stake in what happens to them. Dan Simmons, while not quite on King's level (then again, who is?), accomplishes this quite well. There were times in the book that I was moaning out loud in fear that something bad would happen to one of the six young boys that Simmons had gotten me to care about. What made the book more compelling is that no one was safe. It was painful to see the surviving boys attempting to deal with what happened. There was a definite emotional investment on my part. The one problem I had was that Simmons introduced all six protagonists in the first 3 or 4 pages. It was too quick for me to get a handle on any of them until a good 50 pages into the book. Again like King, Simmons uses the setting and environment to great effect. One problem that I had, however, was the fact that, in attempting to describe the layout of the city and how all the streets and roads interconnected, I became pretty much confused. A map of the town in the front of the book would have been very useful. Other than that, Simmons makes very good use of the smallness of the town, it's isolated location in the midwest, and the summer weather as crucial components in the story. Very enjoyable book and well worth the read. Pretty much as soon as I had finished it, I ordered the sequel, A WINTER HAUNTING. I am eager to find out what has happened to the characters in the intervening years. Simmons has done an excellent job here in making me care about his characters, which makes for a very involving read.
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