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Tracklist:
1. Baby Driver
2. Cecilia
3. One Man's Ceiling Is Another Man's Floor
4. So Long, Frank Lloyd Wright
5. Loves Me Like a Rock
6. Me and Julio Down by the Schoolyard
7. St. Judy's Comet
8. Punky's Dilemma
9. Overs
10. Mother and Child Reunion
11. Do It for Your Love
12. Still Crazy After All These Years
13. Why Don't You Write Me
14. Old Friends/Bookends
Personel:
Cyro Baptista - Percussion
Kenneth Burward-Hoy - Viola
Peter Calo - Guitar
Peter Eldridge - Piano, Keyboards, Vocals, Liner Notes
Andy Ezrin - Piano
James Genus - Bass (Acoustic)
Gil Goldstein - Accordion, Arranger, Keyboards
Zev Katz - Bass (Electric)
Lauren Kinhan - Vocals, Liner Notes
Russell Malone - Guitar
Christian McBride - Bass, Bass (Acoustic)
Darmon Meader - Sax (Tenor), Vocals, Liner Notes
Kim Nazarian - Vocals, Liner Notes
Leon Pendarvis - Organ (Hammond)
Mark Pender - Trumpet
Roger Rosenberg - Clarinet (Bass)
Tony Scherr - Bass (Electric)
Leo Traversa - Bass (Electric), Fretless Bass
Jerry Vivino - Sax (Alto)
Ben Wittman - Percussion, Drums, Mixing
Shelley Woodworth - Horn (English)
As Paul Simon was perparing his first Broadway musical, The Capeman, the New York Voices assembled New York Voices Sing the Songs of Paul Simon, a song-and-dance production of Simon's biggest hits. As a musical experience, the New York Voices turned out a better, richer album than Simon, whose Songs from the Capeman was curiously stillborn. The Songs of Paul Simon, however, is full of life, teeming with energy and bursting with melody. Produced by Joel Moss and featuring cameos by Christian McBride, Gil Goldstein and Russell Malone, the project features familiar numbers like "Cecilia," "Loves Me Like a Rock," "Me and Julio Down By the Schoolyard" and "Still Crazy After All These Years," but it also showcases wonderful album tracks like "One Man's Ceiling (Is Another Man's Floor)" and "Baby Driver." The arrangements are brighter and brassier than Simon's originals, but there's a real charm to the performances that makes it a thoroughly entertaining experience, one that's much more fun and engaging than The Capeman. ~ Stephen Thomas Erlewine, All Music Guide
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