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Maurice André & Eric Aubier - Les Maitres De La Trompette / Trumpet Masters (Mandala MAN 5061) (EU 2003)
Maurice André & Eric Aubier - Les Maitres De La Trompette / Trumpet Masters (Mandala MAN 5061) (EU 2003)
Date: 21 November 2010, 06:46

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Maurice André & Eric Aubier - Les Maitres De La Trompette
FLAC | EAC, LOG & CUE | Full Artwork Scan (400dpi .png) | Size: 313 MB | HF + FS
Cat#: Mandala MAN 5061 | Country/Year: Europe 2003
MD5 [] FFP [] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
webfind [] selfrip [X]

Extraction Log:
EAC LOG
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. November 2010, 18:42
Maurice Andre & Eric Aubier / Les Maitres De La Trompette
Used drive : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Programme\FLAC\flac.exe
Additional command line options : -6 -T "Artist=%a" -T "Title=%t" -T "Album=%g" -T "Date=%y" -T "Tracknumber=%n" -T "Genre=%m" %s -o %d
TOC of the extracted CD
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1 | 0:00.00 | 2:22.63 | 0 | 10712
2 | 2:22.63 | 2:01.12 | 10713 | 19799
3 | 4:24.00 | 1:53.41 | 19800 | 28315
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9 | 33:38.10 | 5:08.43 | 151360 | 174502
10 | 38:46.53 | 3:32.50 | 174503 | 190452
Track 1
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Track 2
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Track 3
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Track 4
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Track 6
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Track 10
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report

CD Info:
Maurice André & Eric Aubier / Telemann, Haydn & Hummel - Les Maîtres De La Trompette / Trumpet Masters
Label: Mandala, Harmonia Mundi
Catalog#: MAN 5061, HMCD 78
Format: CD
Country: Europe
Released: 2003
Genre: Classical
Style: Baroque, Romantic, Classical
Tracklist:
G. Ph. Telemann - Concerto Pour Trompette En Ré Majeur
1 I. Adagio 2:22
2 II. Allegro 2:01
3 III. Grave 1:53
4 IV. Allegro 1:35
Franz Joseph Haydn: Concerto En Mi Bémol Majeur Hob. VIIe. 1
5 I. Allegro 6:24
6 II. Andante 3:58
7 III. Allegro 4:26
Johann Nepomuk Hummel: Concerto En Mi Majeur
8 I. Allegro Con Spirito 10:41
9 II. Andante 5:08
10 III. Rondo 3:30
Credits:
Conductor - J.-B. Mari (tracks: 5-7)
Orchestra - Orchestre De Bretagne* (tracks: 1-4, 8-10) , Orchestre De La Société Des Concerts* (tracks: 5-7)
Trumpet - Eric Aubier (tracks: 1-4, 8-10) , Maurice André (tracks: 5-7)
Notes:
Enregistré à Rennes en septembre 1997 (Telemann, Hummel) et à Paris (Théâtre des Champs-Elysées) en mai 1961 (Haydn).
Made in Germany
Papersleeve front reads:
Historical: Maurice André first recording!
Barcode and Other Identifiers:
Barcode: 794881717927
Matrix Number: SONOPRESS 50784005/MAN5061 01
Other (SPARS CODE [1]): ADD
Other (SPARS CODE [2]): DDD
Discogs Url: http://www.discogs.com/release/2546437

Maurice André (born May 21, 1933) is a French trumpeter, active in the classical music field. He is a classical virtuoso trumpeter, born in Alès, France in the Cévennes into a mining family. His father was an amateur musician.
He studied trumpet with a friend of his father's, who suggested that he be sent to the conservatory. In order to gain free admission to the conservatory, he joined a military band. After only six months at the conservatory, he won his first prize.
At the conservatory, Maurice's professor beat him out of frustration and told him to return when he could excel in his playing. A few weeks later, he returned to play all fourteen etudes found in the back of the Arban's book without a single mistake.[1]
André won the Geneva International Music Competition in 1955 and the ARD International Music Competition in Munich in 1963. He was made an honorary member of the Delta chapter of Phi Mu Alpha Sinfonia at Ithaca College in New York in 1970.
He rose to international prominence in the 1960s and 1970s with a large series of recordings of Baroque works on piccolo trumpet for Erato and other labels. Not content to limit himself to the standard Baroque trumpet repertoire, he also performed many transcriptions of works for oboe, flute, and even voice and string instruments. These recordings were (and remain) very popular, and were a strong component of the rebirth of interest in Baroque music in the 1960s. Fellow trumpeters and music lovers the world over have praised André for his clear, bright, ringing tone on the piccolo trumpet.
His flawless and graceful performances have inspired many brass musicians, young and old. (Wynton Marsalis, for example, was strongly influenced by André's style and tone in his own recordings of Baroque trumpet pieces.) He has over 300 audio recordings to his name, from the mid 1950s to the present.
He has two children: Nicolas, who plays trumpet; and Béatrice, who plays oboe. Both perform with their father in concert.
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Zary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann's signature (1714 and 1757).
Telemann was one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably to Johann Sebastian Bach and George Frideric Handel (both of whom Telemann knew personally). Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Franz Joseph Haydn (31 March 1732 – 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent composers of the classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these genres. He was also instrumental in the development of the piano trio and in the evolution of sonata form.[2][3]
A life-long resident of Austria, Haydn spent much of his career as a court musician for the wealthy Hungarian aristocratic Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".[4] At the time of his death, he was one of the most celebrated composers in Europe.[5]
Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
Johann Nepomuk Hummel or Jan Nepomuk Hummel (November 14, 1778 – October 17, 1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. wikipedia
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