Great Masters: Robert and Clara Schumann - Their Lives and Music (Audiobook) | Date: 12 April 2011, 14:02
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In this course by Professor Robert Greenberg you meet the Schumanns—brilliant, gifted, troubled, and unique in the history of music.
Robert Schumann (1810–1856) and his wife Clara Wieck Schumann (1819–1896) have earned a distinct place in the annals of Western music. As a couple with a two-career marriage—he as a pioneering critic and composer, she as one of the leading concert pianists of Europe—they were highly exceptional in their own time though they seem very contemporary in ours.
[b]Great Critic, Great Composer—Coupled with a Great Pianist[/b]
Robert Schumann is unique by virtue of being the only great composer who was also a great critic. His contributions to the Neue Zeitschrift fur Musik (New Journal for Music), the periodical he founded in 1834, made him far better known originally as a writer than composer. It also gave him a platform from which he could champion the Romantic ideas that informed his own works and recognize the geniuses of his time, including Chopin, Mendelssohn, Brahms, and Franz Liszt.
The Zeitschrift would go down in history as one of the most important musical periodicals of the 19th century. Robert was its leading voice for 10 years, until depression and ill health led him to sell it in 1844. When he returned to print again nine years later it was a memorable occasion, for he broke his long silence to hail the gifts of a brilliant but thus far unknown young composer from Hamburg, Johannes Brahms.
This essay proved a mixed blessing for Brahms, but it clearly showed the quality of Robert's critical judgment. It came at the beginning of a close friendship between Brahms and the Schumann family. This friendship endured through the difficult years when Clara had to concertize continually to support her children after Robert's death—a story that Professor Greenberg details in his Great Masters lectures on the life and music of Brahms.
Clara was one of the most famous pianists and acclaimed touring musicians in Europe at a time when women of her class were rarely encouraged to pursue careers outside the home.
She was also a composer of no small talent, though her family commitments and touring schedule kept her from developing her compositional gifts as fully as she might have. The songs that she did compose with Robert's encouragement show great promise, however. During this lecture series you will hear two of Clara's songs and one of her piano works.
[b]Works you'll hear in the lectures are excerpted from:[/b]
Robert Schumann's Works:
[list][*]Papillons (Butterflies), op. 2 (1831)
[*]Carnaval, op. 9 (1835)
[*]Symphony no. 1 in B-flat Major (Spring), op. 38 (1841)
[*]Piano Quintet in E-flat, op. 44 (1842)
[*]Das Paradies und die Peri (Paradise and the Peri), oratorio (1843)
[*]Piano Concerto in A Minor, op. 54 (1845)
[*]Concert Piece for Four Horns and Orchestra, op. 86 (1849)
[*]Symphony no. 3 in E-flat Major, op. 97, Rhenish (1850)
[*]"An Anna" (1828)
[*]Symphony in G Minor, WoO 29, Zwickau (1832)
[*]Kreisleriana, op. 16 (1838)
[*]Arabesque, op. 18 (1839)
[*]Frauenliebe und Leben (Woman's Love and Life), op. 42 (1840)
[*]Symphony no. 2 in C Major, op. 61 (1846)
[*]Theme in E-flat Major (1854)
[/list]Clara Schumann's Works:
[list][*]Walzer (1834)
[*]Soirees Musicales, op. 6 (1836)
[*]Am Strand (Musing on the Roaring Ocean) (1840).
[/list]
[hide=Course Lecture Titles][list][*]1. Isn't it Romantic!
[*]2. A Pianist in Leipzig
[*]3. Clara
[*]4. Carnaval
[*]5. Marriage and Songs
[*]6. The Symphonic Year
[*]7. Illness Takes Hold
[*]8. Madness
[/list][/hide]
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