Date: 23 May 2011, 05:40
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I'm not a fan of magical realism, but I think that part of the reason that the author could use the technique so readily and successfully in the first half of the saga is the vacuum of any other explanation of other-worldly phenomena. The itinerant priest who served the marrying, baptizing, and burying needs of the Catholic population was an agent of superstition. (Not that the population was any better served in later times with the Protestant Reverend Dodge and the Catholic priest of the season. Both applied scriptures harshly and the Catholic church especially meddled in the political affairs of the people, threatening ex-communication for anyone who joined the Fishermen's Protective Union in the early years of the twentieth century.) Perhaps I just relate more easily to the starkness of early Newfoundland life than to the heat of Central America, but I found that, although I could not stomach Marquez, I loved the effect in Crummey's Galore. One of the effects that I felt played a huge part in this novel is the indeterminate passage of time. Crummey might pick up the next paragraph, page or chapter with the following week, but just as often with thirty years in the past or ten years hence, with no explanation or placement. At first, I found this disconcerting but as the story developed, I found it to be one of its greatest strengths. Dates were not important, particularly in Part 1. Time passed from one generation to the next, affected strongly by the last, and life went on unchanged. World events had little, if any, impact on the people's lives. There was no change in circumstances, no accumulation of material goods, no inheritances. There was simply the unending drudgery, cold, hunger, fishing, the cycles of plenty and want, the love, and the hate that remained the same for generation after generation. Hopeless circumstances and a futile existence. Galore is not a happy book, but an amazingly powerful read. I highly recommend that you do just that.
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