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From Plato to Post-modernism: Understanding the Essence of Literature and the Role of the Author
From Plato to Post-modernism: Understanding the Essence of Literature and the Role of the Author
Date: 14 April 2011, 00:12

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Any lover of Shakespeare, or of the Romantic poets, can concede that poetry is pleasurable. But is it good for us, and can it teach us anything?
These questions may seem odd, but they have beguiled and engaged eminent critics for millennia. What we call literary criticism is really a debate over a few key questions:
[list][*]What is poetry's wellspring? God? Nature? The human self?
[*]Is poetry superfluous to human progress?
[*]Are the literary arts a vehicle to higher truths or a pack of lies?
[*]Is the author a divinely inspired rhapsode or a mere artisan, "manufacturing" meaning?
[/list]To answer these questions, this course engages an enormous range of material. You'll follow the strands of this "conversation" between philosophy and the literary arts down the millennia, profiting from in-depth analyses of works by Plato, Aristotle, Horace, Sir Philip Sidney, Dryden, Pope, Wordsworth, Shelley, Coleridge, Matthew Arnold, T. S. Eliot, Northrop Frye, Foucault, Derrida, and more.
You'll concentrate on critical reflections about poetry—the oldest of the literary arts, and also come away with lessons on how to understand literature, and all of the arts, more generally. More importantly, you'll be prepared to join in these critical conversations yourself.
[hide=Course Lecture Titles]
[list][*]Thinking Theoretically
[*]Plato—Kicking out the Poets
[*]Aristotle's Poetics—Mimesis and Plot
[*]Aristotle's Poetics—Character and Catharsis
[*]Horace's Ars Poetica
[*]Longinus on the Sublime
[*]Sidney's "Apology for Poetry"
[*]Dryden, Pope, and Decorum
[*]Burke on the Sublime and Beautiful
[*]Kant's Critique of Judgment
[*]Schiller on Aesthetics
[*]Hegel and the Journey of the Idea
[*]Wordsworth, Coleridge, and British Romanticism
[*]Mr. Wordsworth's "Preface"
[*]Coleridge—Transcendental Philosopher
[*]Shelley's Defense of Poetry
[*]The Function of Criticism—Matthew Arnold and T.S. Eliot
[*]The Status of Poetry—I.A. Richards and John Crowe Ransom
[*]Heresies and Fallacies—W.K. Wimsatt and Cleanth Brooks
[*]Archetypal Theory—Saint Paul to Northrop Frye
[*]Origins of Modernism
[*]Structuralism—Ferdinand de Saussure to Michel Foucault
[*]Jacques Derrida on Deconstruction
[*]Varieties of Post-modernism
[/list]
[/hide]

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