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Engaging the Moving Image
Engaging the Moving Image
Date: 28 April 2011, 05:06

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Engaging the Moving Image
By Noel Carroll
* Publisher: Yale University Press
* Number Of Pages: 448
* Publication Date: 2003-12-01
* ISBN-10 / ASIN: 0300091958
* ISBN-13 / EAN: 9780300091953
Product Description:
No'l Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television-what Carroll calls "moving images." The essays discuss topics in philosophy, film theory, and film criticism. Drawing on concepts from cognitive psychology and analytic philosophy, Carroll examines a wide range of fascinating topics. These include film attention, the emotional address of the moving image, film and racism, the nature and epistemology of documentary film, the moral status of television, the concept of film style, the foundations of film evaluation, the film theory of Siegfried Kracauer, the ideology of the professional western, and films by Sergei Eisenstein and Yvonne Rainer. Carroll also assesses the state of contemporary film theory and speculates on its prospects. The book continues many of the themes of Carroll's earlier work Theorizing the Moving Image and develops them in new directions. A general introduction by George Wilson situates Carroll's essays in relation to his view of moving-image studies.
Foreword by George Wilson, ix
Introduction, xxi
1 Forget the Medium! 1
2 Film, Attention, and Communication:
A Naturalistic Account, 10
3 Film, Emotion, and Genre, 59
4 Ethnicity, Race, and Monstrosity:
The Rhetorics of Horror and Humor, 88
5 Is the Medium a (Moral) Message? io8
6 Film Form: An Argument for a Functional Theory
of Style in the Individual Film, 127
7 Introducing Film Evaluation, 147
8 Nonfiction Film and Postmodernist Skepticism, 165
9 Fiction, Nonfiction, and the Film of Presumptive Assertion:
Conceptual Analyses, 193
10 Photographic Traces and Documentary Films: Comments
for Gregory Currie, 225
11 Toward a Definition of Moving-Picture Dance, 234
12 The Essence of Cinema? 255
13 TV and Film: A Philosophical Perspective, 265
14 Kracauer's Theory ofFilm, 228
15 Cinematic Nation Building: Eisenstein's The Old and theNew, 303
16 The Professional Western: South of the Border, 323
17 Moving and Moving: From Minimalism to Lives of Performers, 345
18 Prospects for Film Theory: A Personal Assessment, 357
Credits, 401
Index, 403

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