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Desire and Dramatic Form in Early Modern England
Desire and Dramatic Form in Early Modern England
Date: 15 April 2011, 06:15

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Focusing on plays by Marlowe, Shakespeare, Webster, Middleton, Ford, and Margaret Cavendish, this book investigates the intersections of erotic desire and dramatic form in Renaissance texts. Through close readings of these selected works, Haber counters the dominant bias against formalism in recent Renaissance criticism, arguing for its subversive potential.
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