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Deleuze, Cinema and National Identity
Deleuze, Cinema and National Identity
Date: 14 April 2011, 09:35

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This book uses Gilles Deleuze’s philosophy of time to engage with a range of contemporary films from a number of different national cinemas. It illustrates how Deleuze’s theories can broaden our understanding of the way national identity is constructed in cinema. At the same time, the conjunction of Deleuze and the study of national identity adds an, until now, untheorised dimension to Deleuze’s categories of the time- and the movement-image. Understanding the construction of national identity in cinema, it will be seen, also broadens our understanding of Deleuze.

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