Tracklist
01. Lisa
02. Miami Overnight
03. Streets Ahead
04. Interlude
05. All Would Envy - (featuring Shawn Colvin)
06. Best Time
07. When I See You
08. You Move Me
09. Blue Horizon
10. Light the Stars
11. Through an Open Window
12. Easter Parade
Three of the biggest instrumental pop hits ever recorded were by trumpeters Hugh Masekela, Herb Alpert, and Chuck Mangione. Botti's fourth album comes equipped with more than enough catchy and light melodies to compete with that legacy, but it will probably be "All Would Envy," one of the two vocal tunes on Night Sessions, that will help this disc dent radio and sales charts. It's a song given an irresistible Brazilian lilt by its composer, Sting, who Botti has toured with, and sung hauntingly by Shawn Colvin. Like those aforementioned horn players, Botti does put an emphasis on rhythm on upbeat groove tunes like "Miami Overnight," "Streets Ahead," and especially "Blue Horizon," which has more than a hint of Europe's drum & bass sound, and features killer keyboard work by Billy Childs and album producer Kipper. But it's the Alpert-influenced "Through an Open Window," with its rock guitars and slick melody line that many may consider the hottest track. Most of the other tracks consist of Botti's crisp clear tone cutting through the kind of atmospheric, heavily padded keyboard music that has gotten him on smooth-jazz radio and Hollywood soundtracks. --Mark Ruffin
Christopher Stephen Botti or Chris Botti (born October 12, 1962), is an American trumpeter and composer. In 2007, Botti was nominated for two Grammy Awards including Best Pop Instrumental Album. On December 4, 2009, he was nominated for 3 more Grammy Awards including Best Pop Instrumental Album and Best Long Form Music Video. Three of his albums have reached the #1 position on the Billboard jazz albums chart.
Coming to prominence with the 2001 recording of his "Night Sessions" CD, Botti established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles together, thus creating what some have branded a new genre of music.

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