Date: 22 May 2011, 18:58
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In "Broke Heart Blues" Joyce Carol Oates once again proves she is one of the great stylists of American literature. Like "Foxfire: Confessions of a Girl Gang" this novel is a meditation on american life at a specific time. The novel takes us through the 1950's to the present (though years are never named), focusing on a group of upper-middleclass suburbanites as they are reflected through their obsession with the novel's anti-hero, Johnny Reddy Heart. Through the eyes of the townspeople who surround him, Heart seems to be a James Dean-like rebel. Oates uses this set up to reveal the shortcomings of America's intoxication and obsession with fame. It works; it is not so much for the story of Heart that we read the first half of the novel, but for the fasinating portrait of contemporary american life revealed as we swim through the obsessions of the various teenagers, housewives, teachers and businessmen who construct what becomes the myth of Johnny Reddy Heart. The second half of the novel reveals the objective (dare I say "true"? in Oates' post-modern world true is a risky word) story of John Heart after his involvement in a fame and myth-making murder trial. We slowly find out what happened--as opposed to the whimsical, subjective impressions given in the first part of the novel. Gaps are filled in, and filled in in marvelous, fluid, at times perfect prose. This is a great read. It delivers almost everything Oates is know for at one point or another--compelling narrative, stylistic grace, lurid violence, sex, strong themes and brutal honesty. This is not the best Oates, but to say a book is not the best Oates is a compliment most writers would kill for. Highly recommended for all Oates fans and for the general reader of both "serious" and "popular" contemporary fiction.
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