Alexis Korner's Blues Incorporated - R&B From The Marquee
Radioactive 180g LP / RRLP036 (limited to 1000 copies)
Vinyl rip in 24-bit/192 kHz (converted to 24/96 & 16/44.1) | Flac (dual-mono) | m3u, cue & Tech Log
DR Analysis | Artwork | 390 / 144 mb incl. recovery | Rapidshare & Filefactory | Blues; Soul | 1962
Allmusic.com rating: 5 / 5
“The most important of Blues Incorporated's albums, this record features Davies all over it, and is his one reasonably representative album. He may be the best thing here, his blues harp the most accomplished and authentic sounding instrument, and his vocals are quite convincing and natural as well.
- Bruce Eder/AMG ”
R&B from the Marquee was an album by Alexis Korner's Blues Incorporated released in November 1962 on Decca Records. Blues Incorporated was a British R&B band in the early 1960s, which was led by Alexis Korner and featured various musicians. Although never very successful commercially, it was extremely influential on the development of British rock music in the 1960s and later.
Track listing
Side One
"Gotta Move" (Korner) 2:28
"Rain is Such a Lonesome Sound" (J.&R.Witherspoon) 2:49 Vocal: John Baldry
"I Got My Brand On You" (Muddy Waters) 3:46 Vocal: Cyril Davies
"Spooky But Nice" (Davies) 2:57
"Keep Your Hands Off" (Davies) 2:28 Vocal: Cyril Davies
"I Wanna Put a Tiger in Your Tank" (Muddy Waters) 2:52 Vocal: Cyril Davies
Side Two
"I Got My Mojo Working" (Foster) 3:09 Vocal: Cyril Davies
"Finkle's Cafe" (Korner) 2:44
"Hoochie Coochie" (Muddy Waters) 3:02 Vocal: Cyril Davies
"Down Town" (Korner) 2:58
"How Long, How Long, Blues" (Carr) 3:00 Vocal: John Baldry
"I Thought I heard That Train Whistle Blow" (Baldry) 2:18 Vocal: John Baldry
Personnel
Alexis Korner: acoustic guitar
Cyril Davies: vocal (3,5,6,7,9) harmonica (except for 6)
Dick Heckstall-Smith: tenor saxophone (except for 3) vocal chorus (7)
Keith Scott: piano
Spike Heatley: string bass (except for 7)
Graham Burbridge: drums
Long John Baldry: vocal (2,11,12) vocal chorus (7)
Teddy Wadmore: bass guitar (7)
Big Jim Sullivan: vocal chorus (7)
Recording Engineer: Jack Clegg
Produced by Jack Good
Recorded: Decca West Hampstead Studios, London, June 8, 1962
Released in November 1962 (Decca Ace of Clubs LP, ACL 1130)
 Dynamic Range analyzis----------------------------------------------------------------------------------------------
Analyzed folder: D:\Alexis Korners's Blues Incorporated - R & B From The Marquee (1962) [flac] {Radioactive 180g LP; mono; 16-44}\
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DR Peak RMS Filename
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DR11 -0.96 dB -13.81 dB A1 - Gotta Move.wav
DR10 -1.17 dB -12.75 dB A2 - Rain is Such a Lonesome Sound.wav
DR12 -0.96 dB -14.72 dB A3 - I Got My Brand On You.wav
DR12 -2.79 dB -16.09 dB A4 - Spooky But Nice.wav
DR11 -0.75 dB -13.63 dB A5 - Keep Your Hands Off.wav
DR12 -0.63 dB -14.27 dB A6 - I Wanna Put a Tiger in Your Tank.wav
DR11 -0.79 dB -12.83 dB B1 - I Got My Mojo Working.wav
DR12 -0.68 dB -14.42 dB B2 - Finkle's Cafe.wav
DR11 -1.15 dB -14.51 dB B3 - Hoochie Coochie.wav
DR11 -0.58 dB -13.05 dB B4 - Down Town.wav
DR10 -1.25 dB -13.61 dB B5 - How Long, How Long, Blues.wav
DR10 -1.34 dB -12.74 dB B6 - I Thought I heard That Train Whistle Blow.wav
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Number of files: 12
Official DR value: DR11
==============================================================================================
Technical Log
RCM Hannl 'limited' with "Circulating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp) (temporarily replaced by "ProJect Tube-Box 2 SE)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note
With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
Links: (File Factory) Links: (RS.com) FolderBigger filesize = less links = more fun!!!
All files are within the folders. Rapidshare-users have to switch from "Gallery view" to List view" to see the links.
High resoulution files are marked as 2496, CD-compatible files as 1644The files are interchangeable!!!Pass: pls use my nick Hope you enjoy!!!
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