20th-Century American Fiction (Audiobook) | Date: 09 April 2011, 15:40
|
[b]Hemingway. Fitzgerald. Faulkner. No first names are needed.[/b]
These giants of literature are immediately recognizable to anyone who loves to read fiction and even to many who don’t.
Now, thanks to this course from Brown University’s Professor Arnold Weinstein, you can develop fresh insight into these and eight other great American authors of the 20th century. Professor Weinstein sheds light not only on the sheer magnificence of these writers’ literary achievements but explores their uniquely American character as well. Despite their remarkable variety, each represents an outlook and a body of work that could only have emerged in the United States.
[b]Freedom and Speech[/b]
The aim of this course is to analyze and appreciate some of the major works of fiction produced in this country over the past century, using as a focal point the idea of "freedom of speech." The focus on freedom of speech is appropriate for many reasons, particularly:
[list][*]These texts often invoke the fundamental political freedoms guaranteed by the U.S. Constitution, and many of them take the liberty of articulating the painful ideological conflicts that have punctuated our modern history: war, racism, poverty, drugs, sexism, and the like.
[*]"Freedom of speech" also spells out the key thesis to be presented in these readings: Language itself turns out to be not only "free" but a precious means of becoming free, of experiencing life beyond the constraints of the ordinary workaday world.
[*]The overriding theme in American literature, as in American life, is that of freedom itself, whether expressed in a laissez-faire economy, in upward mobility, or simply in our belief that we can make ourselves and our lives into something beyond the origins and influences of our births, a theme sometimes called the American dream. No other society has ever professed such beliefs, and it is not surprising that our literature has much to tell us about the viability of these notions.
[/list]
[b]Our Ongoing War for Independence[/b]
Why would literature be a privileged record for this special American story about freedom? The answer: American fiction is something of a battleground in the "war of independence" that human beings—white or black or red or yellow, male or female—wage every day of their lives.
Our war consists of achieving a self, making or maintaining an identity, making our particular mark in the world we inhabit. This is a battle because the 20th century American scene is not particularly hospitable to self-making: great forces coerce our lives, forces that are at once economic, biological, political, racial, and ideological.
We are dogged by not only death and taxes but by the influence of family, of business, of society, of all those potent vectors that constitute the real map and landscape of our lives. This vexed and conflicted terrain does not resemble the smooth resumes that are our shorthand for what we have done, but it does correspond to our experiential awareness of what we go through, how we have changed from childhood to adulthood, what our work and friendships and marriages have been and what they have meant to us. Literature enables us to recover this territory—our territory. The texts presented in this course constitute an enlarged repertory of human resources, of the battle for freedom.
[hide=Course Lecture Titles][list][*]1. American Fiction and the Individualist Creed
[*]2. The American Self—Ghost in Disguise
[*]3. What Produces "Nobody"?
[*]4. Sherwood Anderson's Winesburg, Ohio—Writing as the Talking Cure
[*]5. Winesburg—A New American Prose-Poetry
[*]6. Hemingway—Journalist, Writer, Legend
[*]7. Hemingway as Trauma Artist
[*]8. Hemingway's Cunning Art
[*]9. F. Scott Fitzgerald—Tender Is the Night—Fitzgerald's Second Act
[*]10. Fitzgerald's Psychiatric Tale
[*]11. Dick's Dying Fall—An American Story
[*]12. Light in August—Midpoint of the Faulkner Career
[*]13. Light in August—Determinism vs. Freedom
[*]14. Light in August—Novel as Poem, or, Beyond Holocaust
[*]15. Zora Neale Hurston's Their Eyes Were Watching God—Canon Explosion
[*]16. Their Eyes Were Watching God—From Romance to Myth
[*]17. Flannery O'Connor—Realist of Distances
[*]18. O'Connor—Taking the Measure of the Region
[*]19. Williams Burroughs—Bad Boy of American Literature
[*]20. Naked Lunch—The Body in Culture
[*]21. Naked Lunch—Power and Exchange in the Viral World
[*]22. Kurt Vonnegut's Slaughterhouse-Five—Apocalypse Now
[*]23. Vonnegut's World—Tralfamadore or Trauma?
[*]24. Robert Coover—Postmodern Fabulator
[*]25. The Public Burning—Execution at Times Square
[*]26. Robert Coover—Fiction as Fission
[*]27. Toni Morrison's Sula—From Trauma to Freedom
[*]28. Sula—New Black Woman
[*]29. Don DeLillo—Decoder of American Frequencies
[*]30. White Noise—Representing the Environment
[*]31. DeLillo and American Dread
[*]32. Conclusion—Nobody's Home
[/list][/hide]
|
DISCLAIMER:
This site does not store 20th-Century American Fiction (Audiobook) on its server. We only index and link to 20th-Century American Fiction (Audiobook) provided by other sites. Please contact the content providers to delete 20th-Century American Fiction (Audiobook) if any and email us, we'll remove relevant links or contents immediately.
|
 |
|
![Great Pianists of the 20th Century (1999) [200 CDs Box Set] [ Vol 11-20 ]](http://img693.imageshack.us/img693/1889/coverzsb.jpg)
Comments (0)
All
