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There is no need to say anything about Mozart's Requiem, as the facts are mostly known. The point, however, is to review Karajan's interpretation. This recording by far is the finest I have heard. I heard Karajan's with the Berliner and the Wiener; Bohm's, Abbado's, Shaw's, and Muti's.
Karajan's Wiener stands out in the fact that the music seems to come from the voice and vice versa. It is not voice and orchestra playing side by side, but a beautiful whole that seems to stem one from the other. The playing is lean, yes; but you can hear minute details and still feel the amazing weight of Mozart's final masterpiece. It's leanness is not a diminishing factor here.
It has been creticized many times - the leanness of Karajan's late style, but it is a style that gives the listener the chance to interact with his music through searching and understanding it rather than merely listen to a conductor's interpretation. It It does not overwhelm the listener but allow's him/her to get to know the music better.
-By Amir Ismail from Amazon. For more details please visit at Amazon -
Tracklist:
01 Requiem (5:27)
02 Kyrie / Sequenz (2:42)
03 No. 1 Dies Irae (1:55)
04 No. 2 Tuba Mirum (3:55)
05 No. 3 Rex Tremendae (2:23)
06 No. 4 Recordare (5:13)
07 No. 5 Confutatis (2:25)
08 No. 6 Lacrimosa (3:12)
09 No. 1 Domine Jseu (3:53)
10 No. 2 Hostias (4:35)
11 V Sanctus(1:53)
12 VI Benedictus (5:31)
13 VII Agnus Dei (3:41)
14 VIII Communio (5:50)
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